The Figure
April 2024
Mixed media; plywood, transparent acrylic, acrylics


This sculpture embodies a dual interpretation, which invites viewers to identify either a human figure or a symbolic representation from imagination. Its abstract imagery is inspired by the intricate design of the human skeletal system with the mechanical structure of umbrellas: these aspects of anatomy and functional design evokes a sense of complexity and interconnectedness.

The concept of multiple is explored by the technique of decalcomania, which serves to mirror the inherent dichotomy of human nature. The audience gets to question and discover the multifaceted aspects of the human psyche. The light and shadow reflected by the layers of sculpture further accentuates this complexity, inviting contemplation on the qualities that are considered good and bad in civilization.

Vertically, the sculpture captures a spectrum of colors reflected through the acrylic panels. This is reminiscent of the vibrant hues found in stained glass windows of ancient churches, symbolizing humanity's aspiration of spiritual enlightenment and transcendence. By engaging the elements traditionally associated with religious iconography, the sculpture prompts reflection on the quest for meaning and higher purpose. In essence, this sculpture is a portrait of the human experience encapsulated by the tension between the corporeal and the spiritual, the mechanical and the organic.